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Sarah DeLappe and Kristen Roupenian’s savvy screenplay features a keen ear for that therapy-talk and personal branding of now’s 20-somethings, while the very first-level ensemble takes advantage of its appreciable charisma to create their people fascinatingly repellent; the “Shiva Little one” and “Bottoms” star Rachel Sennott as well as

In profiling leaders of your Indonesian death squads in the mid-nineteen sixties, the documentarian Joshua Oppenheimer invitations them to stage elaborate and surreal recreations of their crimes inside the cinematic form of their choosing (musical, gangster, western, etc.). In doing so, Oppenheimer directs his subjects to generate an upsetting but